Stano Masár (1971) has established on the Slovak artistic scene due to his neo-conceptual attitude and intelligent humour, which is typical of his works. He likes to use, modify, and paraphrase discovered symbols. In the series of absurd furniture objects and installations he demonstrated the ability to work with space effectively and multilayerly. This time he attracted an attention by the series of pictograms wittily defining selected artworks of the world and Slovak art of the 20^th century. He succeeded in interpreting the canon of art history through trivial form of tables – handwriting without a manuscript.