My artistic practice generally is oriented towards painting. In essence the paintings portray theatrical situations created by objects, and for a formal and aesthetic appearance the image that it’s represented and have the quality and attributes of ''FICTION REALISM''.
What interests me most is the expressing of situations that deal with the unconsciousness, and it is exactly this unconscious that gives a lot of importance to the instinctive side and pushes me toward certain actions or pulls my attention towards something. During the realization phase of painting, this ''special interest'' becomes stronger and gives the image more apparent clearness with all the details and characteristics of the object.
For me, the content I select to represent is very important. It is a selection that follows intuition primarily, and the psychological stains, putting them all together towards a real ending, that in fact, is an invisible reality whose imprints are hidden deep into fragmentilized moments of our history. All this process for me is the best tool to bring it in surface the deepest content of the truth, and the aesthetic dimension.
The nature of the objects that become part of the painting is different. Sometimes the definitive images sound like ''nonsense'' and only reflect meaningless. Their nature is very close to me and belongs to my personal and complex experiences of fear, enchantment, surprise, amazement, etc.
In the end my interests are directed toward the relationships that we have with scientific objects. A careful and very detailed inquiry that brings to the painting a high mechanical side with the relationships that I create with other objects