The creative adventure of this young graphics artist is multi-meaningful. Not only does it refer to the double-sided averse-reverse printing on the graphic sheet, the achievement of tactile values of the applied technique, the replacement of the traditional material-the paper by transparent plexiglass surface, but it also tackles the tridimensional presentation, that is, the spatial arrangement of the whole of the envisioned presentation of the composition. Through the double-sided, atypical printing on the graphic sheets, Veteroska strives to establish a spontaneous and subtle dialogue with the Byzantine ceremonial double-sided icons.